MARY SIBANDE: dressed to tell South Africa’s tale
Mary Sibande is one of South Africa’s most talented young artists. For several years, her work has nearly exclusively revolved around Sophie, a servant character created from her personal genealogy (her mother, grandmother and great-grandmother were maids). Sophie’s dark silky skin and her majestic eye-catching blue Victorian dresses turn her into a queen whose eyes … Continue reading →
Filed under contemporary art, culture, exhibitions, fashion · Tagged with AAW, and Prosperity, apartheid, Art at Work, artist interview, artist residency, arts, black women, Caught in the rapture, FIFA 2010, Her Majesty Queen Sophie, I decline. I refuse to recline, I'm a lady, Joburg Art City, Johannesburg, limited movement, Lovers in Tango, Mary Sibande, Momo Gallery, post-colonialism, religion, sewing techniques, silent symphony, Soldiers of god, sophie, South Africa, textile, uniform, venice biennale, Victorian dress, vuka uzenzele, Yinka Shonibare, Zionist church
ALEC VON BARGEN: world sympho-pic
Posted by Ruxandra on March 25, 2011 · 7 Comments
This portrait of Alec Von Bargen (www.alec360.com) consists of a series of edited messages we exchanged on Facebook, by e-mail over the last four months. It was very much an “art on the go” experience as Alec was constantly on the move: traveling to shoot in Asia, traveling to receive an award and inaugurate an … Continue reading →
Filed under contemporary art, culture, photography · Tagged with Albert Kahn, alec von bargen, artist residency, Center for Fine Art Photography Colorado, economical crisis, Iceland, ILLUMInations, LACDA, MIRA residency, multiculturalism, ONDARTE residency, pictures of asia, soncino biennale, venice biennale